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Ahead of their second EP, LOCK IN, we catch up with Tom Rowan of Glasgow political punks SOAPBOX
Glaswegian duo Cloth suceed in letting go on their third studio album
Self Esteem recommends listening on her third album under the stage name, and we're inclined to agree
After Beginning, Déa Kulumbegashvili returns with a profoundly affecting, wrenching abortion drama
Emily Henry's latest romance novel is her most ambitious yet, featuring interwoven timelines and narratives alongside the usual sizzling chemistry
Whether you’re a die-hard musical lover or not, this production of Calamity Jane is sure to have you line-dancing your way home
Georgian filmmaker Déa Kulumbegashvili talks to us about the making of her abortion drama April and the role of cinema in the face of repressive systems
Belgian drama Julie Keeps Quiet centres on a teen tennis prodigy who's trying to keep it together during an abuse scandal at her elite tennis academy. Director Leonardo Van Dijl explains his inspirations for the film and his hopes for its reception
On their latest album, Viagra Boys return to form, offering the inner workings of a corroded mind in musical form
Demilitarize sees Nazar trade the harsh sonic terrain of the Angolan Civil War for more delicate reflections on illness, love, and resilience
The contemporary art scene of New York is skewered in this witty if somewhat surface level novel
On her 4AD debut, Maria Somerville redefines dreampop, goth, shoegaze and more, stitching colour into a tapestry of blacks, whites and greys
We catch up with Glasgow clubbing veterans Slam on their future at The Arches, and upcoming new album Dark Channel
Showcasing their debut album, Divorce deliver a joyous performance in Glasgow fuelled by a mutual respect and affection between audience and musicians
Kiyoshi Kurosawa’s Cloud is a bracing thriller of internet-era malaise
