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The Peter Simon Collection became the highest value single-owner collection ever sold at Christie's London bringing in £107.5m
Bonami aims to “catalyse artistic energy” and “search for the best projects” for the institution, which is funded by billionaire Leonid Mikhelson’s V-A-C Foundation
Originally due to open in 2027, then 2028, the project in the southern state of Paraná, where the government changed in the recent election, has been further delayed
Leather seating from London's National Gallery has crossed the Atlantic to Connecticut
Scheme will see 13 galleries pledge a tenth of proceeds from a work to the charity
‘Acting Like Women’ is a deep dive into Los Angeles art and activism of the 1970s and 80s
In this week's episode, Ben Luke speaks with art market editor Kabir Jhala in the Frieze London tent, visits the new Turbine Hall commission at Tate Modern, and discusses a Quattrocento bronze relief at the Frick Collection.
With a raft of galleries, including blue-chip names, forced to scale back physical spaces, innovative dealers are side-stepping the high overheads associated with a traditional gallery
The show challenges the movement’s reputation as outdated and narrowly Western, tracing its networks and influence beyond the birth of Modernism
The London-based lawyer, who oversees two cartography-based collections as well as her own personal art collection, tells us why she does not covet any museum works
The non-profit, which will open with a show riffing on the island’s automotive history, is focused on promoting the French art scene
A fascination with Cool Britannia is evident at exhibitions, auctions and art fairs—though some question whether a revival of this era is possible or wise
Speaking before nationwide demonstrations escalated on Saturday, students at various art schools discuss why they have felt compelled to take a stand
Curator Fatoş Üstek guides us through 11 monumental works on show this year in Regent's Park
“Compulsory Continuous Connectedness: Rest in a Networked World” at Focal Point Gallery in Southend-on-Sea, England, looks at how being constantly online is affecting society
