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By Robert Duguay The Dublin post-punk experimentalists bring their dark new album to Brighton Music Hall,...
By Jon Garelick At Harvard, the 82-year-old composer-saxophonist joined Vijay Iyer and Dafnis Prieto for a...
Welcome to “Poetry at The Arts Fuse.” A new poem every Thursday Cop City We follow...
By Dan Kennedy Founded as a sensational tabloid with right-wing, racist sensibilities, the city’s white working-class...
By Peter Keough Two compelling documentaries at the Boston Palestine Film Festival trace Edward Said’s intellectual...
By Jonathan Blumhofer On his third recording of Benjamin Britten’s three solo cello suites, the Dutch...
By Neil Giordano A stellar Rosalind Eleazar anchors this sour Hollywood parable, but Chris Rock’s performance...
By Mark Favermann Three international artists add new granite works to the New Hampshire sculpture park,...
By Sarah Osman Ed Perkins’s documentary finds a fascinating story in America’s 2016 creepy-clown craze, then...
By Ed Symkus The provocative 1971 study of politics, religion, and sex in medieval France is...
By Michael Marano Nathan Fielder’s You Can See Everything turns the Theranos saga into a revelatory,...
By Peter Keough In Alex Gibney’s exhaustive documentary, Elon Musk emerges as a visionary, a menace,...
By Tom Connolly In Stalin’s Apostles, Antonia Senior dismantles the mythology of the gentleman spy, exposing...
By Jonathan Blumhofer Rebekah Heller’s new album celebrates the instrument’s power, agility, and surprising expressive breadth. Rightly...
By Michael Londra A new anthology gives long-overdue shape to an influential but unjustly forgotten chapter...
