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An evening of ballets by Wayne McGregor, including the world premiere of Quantum Souls, proved to be a little too much of the same thing.
Ahead of an appearance at London’s Cadogan Hall, the Swedish mezzo-soprano talks about her love for French and German song, and combining intimate performances with opera singing on a much larger scale.
In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.
Leonard Slatkin returns to the Prague Symphony Orchestra with one of his own pieces, a Schubert tribute that steals the show.
As part of St Luke’s ‘Visionary Sounds’ series, Kinan Azmeh joined the chamber ensemble to play a variety of his own compositions.
A daring mix of rarities and late masterpieces at Severance Music Center confirms Alexandre Kantorow as a pianist of both staggering technique and uncommon depth.
Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.
Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?
Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.
As gifts to the Philarmonia's 80th birthday season, Nicola Benedetti gives a barnstorming account of Elgar's Violin Concerto before Cristian Mӑcelaru gets emotionally drained by La Mer.
