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By David D’Arcy A trio of worthwhile docs at this year that tour a city, beneath...
By Jonathan Blumhofer Could it be that Erich Wolfgang Korngold’s Symphony in F-sharp is the big...
By Bob Katz On the hard wooden benches of a jail in Lowell, dialoguing with his...
By Clea Simon The Slip raises issues of race and entitlement, as well as the malleability...
By Jonathan Blumhofer Composer Michael Daugherty’s lively survey of 20th-century touchstones continues in his latest album....
By Jon Garelick So what am I saying? That the system is imperfect, corrupted by bad...
By Debra Cash Jacob’s Pillow’s new Doris Duke Theatre is a complete triumph. It is, in...
By Noah Schaffer For fans of guitar music, two excellent new documentaries offer plenty of insight...
By Peter Keough In her new documentary about the crises in Brazilian democracy, Petra Costa examines...
Welcome to “Poetry at The Arts Fuse.” A new poem every Thursday UNCOUNTED MULTITUDES unreasoning unalloyed unheard that morning unmarred for the...
By Michael Marano Superman is overstuffed and bloated—so much so that it’s impossible to get an...
By Steve Erickson The story’s surprising degree of feeling for Joaquin Phoenix ‘s Joe saves Eddington...
By Jon Garelick A particular guttural sequence of phrases from accordionist Ted Reichman suggested a musical...
